Jose Manuel Peñalver Leon (España)
ABOUT THE AUTHOR
My artistic manifesto is not an avant-garde concept, although I don't
entirely reject this kind of proposal. I believe that a much more
conceptual work must exist, but I am still in love with the simple and
everyday world, with the figure of the painter and his easel with all
his clichés, perhaps a bit old-fashioned, but is still relevant in my
reality. For me, it is important that my work communicates to the
greatest number of people the sensations that I like, and that it is
sold for this reason; I hope that the artistic language I use is
understood by most people around me. I think that I can say many important things with the artistic resources I use.
Personally, I use art to express the sensations from life that I
find pleasing, or those that I find interesting to the extent that they
are trascendent. I would live again for many reasons (indeed, so that I
could transcend them): to see the river in the evening, to make another
film, to take another picture, to see my family, to go to the cinema, to
see the colours of the sky, for the news, to give a class, for a good
chat, to work on a picture, to love and be loved in return, for a
good book, for a good dinner in a good restaurant etc., and for many
other more unpleasant sensations which have a latent turbulence wherein
difficult things can be guessed at, and these are equally are important to me.
I live half in love with my environment and all that surrounds me and with
my job (more so in those moments when things are going better), I describe this
sensations as a kind of bohemianism, sometimes calm, sometimes impassioned.
I finish and sign a picture when it gives me a sensation that I consider
important, whether for its beauty or for its strangeness.
I see Murcia as a city of yellow lights and I feel this city as I
suppose the first bohemians felt it. The figure of the artist, the
gallery owner, the muse and the art critic, the collector and the
journalist all exist, because I have lived them all. I am astonished by what remains of the agricultural lands, the light, the university
building, the bookshops, the Malecón, the "bando", the Rex (cinema), the
"Zig-Zag", the multiplexes and all that impressive look of electric
energy when going down the motorway along the mountain pass by the
castle and so on, so torth.
I am an artist because I can remember painting {making art} since I was
5. I earn my living teaching in my art studio and selling pictures. I
aspire to leave pictures which help people to fall in love with life for
its beauty, strangeness or general interest. I think that a good artist
is as important to society as an artesan furniture-maker, or a good
cook, when they refine their work to the point where it becomes a
passion, I suppose that the same happens in all professions, that a
refined sensitivity becomes a pleasure from which transcendent
sensations emanate that make life worthwhile. I want my pictures
be worthy, like a good wine, a good perfume or a good film, and I try to
sell every picture when I feel that I would personally want to buy it out of its
interest to me. To this extent I feel honest with my job.
I love computing, and I write computer programs in Basic with Darkbasic
and Div, I like popular cinema, silent film, the music of Philip Glass,
Wim Mertens, Nyman, John Cage and Mozart (the first three in that
order). I love documentaries on astronomy, my favourite series was
"Cosmos". I am fan of Doom, Tomb Raider, Creatures 1,2 and 3, and the
artificial life simulators, a good few with which I am familiar can be
found for free on the Internet. I am interested in three-dimensional
world simulations, and I think that we are living through a revolution in
terms of Information Technology expression. There are television
programmes that I consider to be real works of art (the latest American
McGee’s Alice, for example) and I think we are not taking full advantage
of the expressive possibilities of this medium.
In my opinion, nobody is disgraceful or not worthwhile. I feel that
if I had infinite time, I would like to get to know everybody.
I consider people to be a luxury, and often everybody seems to me quite
glamorous. The way things work fascinates me, how friendship works, and
how sometimes love exists and sometimes it does not; I think that if we
don’t lose our heads and spoil things, we could reach agreements to
improve as a species. I aspire to learn how to help other people, and I
will spend my life trying to learn how to live and let live.
I have faith in the existence of art, because I know that expression is
important to quality of life (people pay millions for a flat with sea
views, or for a good suit, and I am sure that it is possible to acutely
appreciate the difference). I believe that we leave an imprint on all
man-made object and that this forms a legible human code {A bed
carefully shaped, with well chosen wood, which is treated well, prepared
for relaxation, will make this relaxation much more worthwhile}. If
these efforts reach an impassioned level {a transcendent level} and the
object has been refined in its treatment, we will feel this expression and
it becomes an objet d'art. It occurs to me now that every action is
etched into material in a precise way.
One of the strangest things I have found lately is the curious
similarity between some of the principles of quantum physics and
theories of perception applied to art.
Sometimes, in works of art, you find just by chance previously unknown
sensations, and you learn something new. In fact, one of the reasons why I
like art so much is to discover new sensations.
I have mainly been taught art by masters, friends, teachers,
conversations, books, films, by viewing a lot of works of art and
paintings, and by daubing on many canvases. I am fully committed to the
process of learning, constantly evolving and seeing possibilities. I
know that if I can, I will dedicate my entire life to learning this
trade and this vocation.
Obras de arte de Jose Manuel Peñalver Leon
ver todas las obras (253)Nuevas obras de arte de Jose Manuel Peñalver Leon
ver todas las obras (253)Críticas
06/05/2010 - marilo
menuda obra más bonita jose manuel!había visto lo más reciente,pero he alucinado con todas los demás cuadros,con la variedad de temática que reflejas en ellos,con el acabado a traves de esas tonalidades tan ricas,y como consigues atrapar al espectador,espero aprender mucho de las clases que nos das,con las que tanto aprendo y que nunca se acabe la inspiración...
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